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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond at Leeds during 1977

Dave Ball, one half of the groundbreaking 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is regarded as a seminal work of synth-pop.

He later formed the pioneering electronic act The Grid, who secured chart success with 1994's Swamp Thing.

Ball died peacefully in his rest at his home in London on Wednesday 22 October, just weeks after playing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

During that performance, Ball performed in a wheelchair, as he had for the previous couple of years, after a spate of ill-health.

"I managed to injure myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my spine and fractured about multiple ribs and fractured my wrist."

After contracting a lung infection and suffering from sepsis, he was put in an induced coma and remained in hospital for half a year.

Nevertheless, he had been in "high spirits mentally" during the warmer months, as he worked on a fresh record with Almond, called Danceteria, which is scheduled for publication next year.

"He was concentrated and very pleased with the latest project that we actually completed only a few days ago," stated the singer in a tribute.
"It's so sad as next year was all set to be such an uplifting time for him, and I take some solace from the knowledge that he listened to the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant part of my existence and for the songs you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is different from joining a group, the connection is very tight," he continued.
"That was the case with us. We experienced so many remarkable, extraordinary, memorable experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Early Life

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who changed his first name from Paul to his adopted name, alongside his sibling Susan, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both studying fine arts. Inspired by a mutual passion of a music genre, they established Soft Cell the same year, and promptly recorded an extended play.

Musical Partnership

The duo were an unusual pairing: Ball was the reserved musician, hunched over his keyboard, while Almond was a charismatic showman, all glitter and makeup; but they attained a unique musical alchemy.

Ball had developed a interest with synthesizers after watching the band Kraftwerk perform on a television program a popular series, and began to combine dark electronica to the catchy tunes Almond was writing.

Their signature song became the United Kingdom's second biggest-selling song of the early 80s, shifting 21 million units worldwide. Alongside successful tracks by Gary Numan, Human League and Ultravox, it helped cleared the path for the synth-pop sound of the 80s.

The track was also featured on their first album, Non-Stop Erotic Cabaret, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were working on fresh songs until just before Ball's death

Career Highlights

Fame had its upsides. "I loved being able to purchase my initial property, having financial security and travelling, which makes me sound like a Miss World," Ball not long ago told with a music magazine.

But it also presented problems. "Sudden riches meant we could afford substances to relieve the boredom" of press appearances and TV performances, Ball explained.

"I realize that's a common saying, but it's a truism for a good reason, because it applies for so many bands."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they managed to create a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released one more album, 1984's This Last Night In Sodom, before dissolving the group to focus on other projects.

Almond went on to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with melodic sounds over a enduring collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the Top 40 record Cruelty Without Beauty.

After another break, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the large venue on 30 September, 2018.

Yet, they remained active, recording their fifth album, Happiness Not Included, during the 2020 restrictions.

Ball lately described the band's new album as a homage to the NYC nightlife they frequented while recording their first two albums.

He added that his period in medical care had shaped the band's sound.

"I experienced strange recollections when I was in and out of the hospital because I was on pain medication," he told a music magazine.
"The new songs are a digital reflection of the sounds in my head from those days.
"Simultaneously, it's about the experiences me and Marc had in the 80s."

The final mixes were completed only a short time before Ball died. It is scheduled for release in the spring of 2026.

The writer

Amanda Wiley

Lena is a seasoned urban explorer and freelance writer passionate about uncovering city secrets.

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